Midori Plays Sibelius

Midori Plays Sibelius

When:
November 4, 2018 @ 7:00 pm – 9:00 pm
2018-11-04T19:00:00-07:00
2018-11-04T21:00:00-07:00
Where:
Macky Auditorum
17th St & University Ave
Boulder, CO 80302
USA
Cost:
$15-$76
Contact:
303-449-1343

Boulder Philharmonic Orchestra
Michael Butterman, conductor

DUN Passacaglia: Secret of Wind and Birds*
SIBELIUS Violin Concerto
Midori, violin
BRAHMS Symphony No. 3

Grab your smartphones and help us transform Macky Auditorium into an immersive aviary as we present Academy Award-winning composer Tan Dun’s Passacaglia: Secret of Wind and Birds. Then, superstar violinist Midori joins the Phil for her interpretation of the virtuosic Sibelius Violin Concerto. Brahms’ bittersweet masterpiece, his Symphony No. 3, brings this memorable evening to a heartfelt conclusion.

6 PM – Free pre-concert talk hosted by Marilyn Cooley of Colorado Public Radio, with Music Director Michael Butterman, Midori, and City of Boulder Open Space and Mountain Parks naturalist Dave Sutherland

*NOTE:  Prior to the performance, download this mp3 to your smartphone so you can participate in the interactive performance of this work.

Click here for more info on Midori’s Orchestra Residencies Program schedule of events, Oct. 31-Nov. 5


Sponsored by
Audrey & Andrew Franklin
Christine Yoshinaga-Itano & Wayne Itano
Stephanie & R. Alan Rudy
Marjorie & Bob Schaffner


About Midori

Midori is a visionary artist, activist and educator whose unique career has transcended traditional boundaries through her relentless drive to explore and build connections between music and the human experience. Never at rest, Midori brings the same dynamic innovation and expressive insight that has made her a top concert violinist to her other roles as a leading global cultural ambassador and a dedicated music educator.

A leading concert violinist for over 30 years, Midori regularly transfixes audiences around the world, bringing together graceful precision and intimate expression that allows the listening public to not just hear music but to be personally moved by it. She has performed with the world’s top orchestras including the London Symphony, Staatskapelle Dresden, Mahler Chamber Orchestra, New York Philharmonic, Chicago Symphony, Atlanta Symphony, Orchestre Symphonique de Montreal, Cincinnati Symphony, Pittsburgh Symphony and Czech Philharmonic. In addition, she has collaborated with leading musicians such as Mariss Jansons, Peter Eötvös, Christoph Eschenbach, Daniele Gatti, Alan Gilbert, Susanna Mälkki, Kent Nagano, Robert Spano, James Conlon, Omer Meir Wellber and Paavo Järvi, among others.

The DVD of her highly-acclaimed interpretation of J.S. Bach’s Sonatas and Partitas for Solo Violin was recently released. In the recording, filmed at Köthen Castle where Bach served as Kapellmeister, Midori unites her technical and expressive mastery with her historic and emotional insight into the composer, providing the viewer with a multidimensional experience of Bach’s music.

Midori not only brings a fresh perspective to established standards for violin but also ceaselessly strives to expand the repertoire, including through the creation of new works. Midori inspired Peter Eötvös to compose the violin concerto DoReMi, which she then recorded with Eötvös and the Orchestre Philharmonique de Radio France. The 2016 CD joins her diverse discography that includes sonatas by Bloch, Janáček and Shostakovich performed with pianist Özgür Aydin, and a 2013 Grammy Award-winning recording of Hindemith’s violin concerto with Christoph Eschenbach conducting the NDR Symphony Orchestra.

In her quest to explore and expand how music is essential to people everywhere, Midori goes beyond the concert hall and recording studio to those areas where music access is most needed. In 2017, Midori celebrated the 25th anniversary of the activities of two of her non-profit organizations: Midori & Friends, which brings high-quality music education to New York City school children, and MUSIC SHARING, a Japan-based program that provides access to both western classical and Japanese music traditions through innovative events, activities, instruction and presentations in local schools, institutions and hospitals. Her Partners in Performance organization, founded in 2003, promotes interest in classical music outside of major urban centers across the United States, while her Orchestra Residencies Program, begun in 2004, encourages young musicians to develop a life-long and multifaceted engagement with the performing arts, helping to ensure that the classical scene will continue vibrantly for years to come. www.gotomidori.com

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